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Towards the end of the game, battles are complicated, ability-filled puzzles. There is, in other words, a lot to think about. There are Stances you can toggle on or off for various benefits too, like counter-attacking or gaining armour, but again, doing so shuts other options off to you.
Meditating also requires charging up, or Channeling, but this prevents you doing other things and can leave you vulnerable.
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All abilities have an Opportunity cost, except those declared Free (very useful) and spells, which use mana, although gaining mana often involves Meditating, which itself requires Opportunity.
Governing all abilities is Opportunity, a shared team resource refreshed each turn. Abilities have hit patterns according to the grid around you, and you can't whack enemies stood behind other enemies unless using a spell or an arrow. Positioning during battles makes a big difference. Who goes first depends on who charges first in exploration mode, and it can be a deciding factor if and when you whack the difficulty up (doing so reinvigorates combat in the latter stages of the game). Your gang occupies one eight-square half of the board, and your enemies occupy the other. The Bard's Tale 4 is first-person when you explore but a chess-like grid when you battle. The core loop is getting through areas gated off by puzzles, and sprinkled with groups of enemies. The story is codswallop too - I genuinely thought I'd reached the end of the game at least twice before it announced, 'No! Aha! Here's the real baddie,' assuming I cared - although a spritely cast of companions and eccentric extras do their best to lift it (and there are fewer accents I'd rather listen to for hours on end than the Scottish here, which is not, for once, reserved only for dwarves). The Bard's Tale 4 does takes you to some imaginative and beautiful places - pastoral elven realms twisted, fleshy hell realms - but the opening seaside town of Skara Brae and the sewers underneath it are not among them. I wish I could write like this!īut it takes a little while for the game's personality to sink in. There's badger racing there's a farmer who hates adventurers because they always smash the place up (I had just smashed his barrels looking for loot) and there's a writer dreaming up a tale about a world without magic and monsters for his readers to escape to. You visit a Review Board to unlock higher tiers of ability, if they allow it, and chat to an NPC called Faryn Bygo there (in other words Brian Fargo, the creator of The Bard's Tale and leader of developer inXile). You learn magical songs, for example, to open thorned blockades or knock down walls and discover paths previously off limits. But caught right, The Bard's Tale 4 can be stunning.
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This is particularly annoying in The Bard's Tale 4, because saves happen at little pillars and not freely from a menu, meaning you have to redo progress each load.īut what other games do you know that come with a printable Code Wheel for solving puzzles? What other games do you know with a bard hero class powered by booze? What other games do you know with a live-action, evolving story recap when you select 'Continue'? What the Bard's Tale 4 sacrifices in polish it makes up for with personality.
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Character models are dated and cutscenes are slideshows with filters on, and a variety of bugs ( a huge second patch for the game has just been released) forced me to reload upwards of 15 times.
This has its roots in crowdfunding, and is not a big budget game with a huge team. The other important thing to know or remember about The Bard's Tale 4 is where it comes from.
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